Critics’ consensus on ‘The Super Mario Bros. Movie’? It’s a-mixed
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Opening weekend, here we come.
Reviews are officially in for Nintendo and Universal Pictures’ “The Super Mario Bros. Movie,” which hits theaters Wednesday and has generated quite a bit of buzz leading up to its Easter-weekend release.
The animated film based on the cherished video-game series of the same name boasts a star-studded voice cast, including Anya Taylor-Joy as Princess Peach, Charlie Day as Luigi, Jack Black as Bowser, Keegan-Michael Key as Toad, Seth Rogen as Donkey Kong, Fred Armisen as Cranky Kong and Chris Pratt as Mario.
When the family flick was announced back in 2021, fans and social media users immediately questioned the decision to cast Pratt — who has been racking up credits in blockbuster movie franchises like item boxes in Mario Kart — as everyone’s favorite Italian plumber.
‘The Super Mario Bros. Movie,’ starring Chris Pratt, is mildly amusing, swift, noisy and unrelentingly paced.
In her review for Tribune News Service, film critic Katie Walsh deemed Pratt and Day’s vocal performances as sibling duo Mario and Luigi “so unremarkable that it could have been anyone at all.”
“Fortunately, this loud, hectic movie doesn’t overstay its welcome, but it wouldn’t have the material to last a second longer,” Walsh writes.
“It’s bright, busy, inoffensive and exactly the opposite of the weird, dark, edgy 1993 movie adaptation. That may be better for the business of Mario, but it’s not exactly terribly interesting either.”
Here’s a sampling of reviews of “The Super Mario Bros. Movie,” ranging from “Oh, no!” to “Wahoo!”
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Arizona Republic
“There are also plenty of Easter eggs to be enjoyed by gameplayers as well as humor that can be appreciated by adults ... and kids alike,” KiMi Robinson writes.
“Much credit goes to the cast for having so much fun with their characters; Charlie Day, for one, manages to infuse as much Charlie Day into Luigi as he does in any live action role. ... ‘The Super Mario Bros.’ is family-friendly movie theater catnip over the Easter weekend, and it’s sure to be an enjoyable watch for the average viewer.”
Associated Press
“It makes you ... want to play Mario,” Jake Coyle writes.
“As nice as it is to look at ‘The Super Mario Bros. Movie,’ it’s not anywhere near as fun as it would be to play it. It’s a-him, Mario, but it’s no a-masterpiece. The storyline is only a touch above the interstitial bits of plot you usually get between gameplay. With the exception of Jack Black’s grandly lovesick Bowser ... there’s nothing here that deepens these characters beyond their usual 2-D adventures. Mario may be a modern-day Mickey Mouse but his kingdom is on the console.”
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Entertainment Weekly
“It’s all quite fun, with a good sense of humor and a consistent computer-animated aesthetic — plus, at 90 minutes including credits, it’s short, sweet, and over before anything can get annoying,” Christian Holub writes.
“But it’s hard to escape the feeling, especially during the ... Rainbow Road sequence, that you would probably be having more fun just playing a game together instead.”
Hollywood Reporter
“After the debacle that was the 1993 live-action Super Mario Brothers movie adaptation, the creators of the new animated version clearly felt the need to restore the faith of the wildly popular video game’s legions of fans,” Frank Scheck writes.
“While devoted players will weigh in on whether the film fulfills that goal sufficiently, The Super Mario Bros. Movie feels like a labor of love that should easily weather any nitpicking from purists. It should also prove a major cash cow for co-producers Nintendo, Illumination Entertainment and Universal Pictures, with sequels and spin-offs virtually guaranteed. While Matthew Fogel’s screenplay won’t win any awards, it builds a reasonable framework for the 90 minutes of nearly nonstop mayhem that ensues.”
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IGN
“The movie’s mostly excellent use of its source material does contrast with some ill-advised blockbuster animation tropes which can occasionally be grating,” Tom Jorgensen writes.
“Moments like this — as well as the frequent use of slo-mo to highlight jokes — are a bit too cute, and hint at how easily The Super Mario Bros. Movie could’ve slipped into ‘generic animated movie’ territory had it given way to more of these low-hanging stabs at making sure Uncle Jack has his ‘I understood that reference!’ moment, too.”
Independent
“The Super Mario Bros. Movie ... is nothing more and nothing less than what you’d expect from a Mario film,” Clarisse Loughrey writes.
“Its comfortable mediocrity is no better captured than in its choice to cast Chris Pratt — the current face of generic, easy-to-market heroism — in the starring role. Pratt, it should be said, is perfectly capable of the sort of outsized performance Mario needed, having previously turned in himbos of equal, puppyish élan in The Lego Movie and Guardians of the Galaxy. But the Pratt called upon here is of the blandly sincere, hire-a-hero variety, delivering lines like ‘let’s-a-go!’ and ‘mamma mia!’ with all the vigour of a contractual obligation and not a trace of Italian.”
IndieWire
“From the decision to cast the onetime Least Offensive Actor on the Planet Chris Pratt in the titular role to the production design that seems to be an exact replica the Wii-era Mario games, ‘The Super Mario Bros. Movie’ largely plays things by the book, which is exactly what the assignment called for,” Christian Zilko writes.
“Co-directors Aaron Horvath and Michael Jelenic have delivered a perfectly serviceable movie that is going to make a lot of kids very happy and a lot of adults very rich.”
New York Times
“While the details are meticulous, the attitude is all wrong, trading the simple, unaffected charm that has served the character so well since his introduction in 1981 for a snarky and fatuous air that leans hard on winking humor and bland, hackneyed irony,” Calum Marsh writes.
“This is Mario in the Marvel mold: every line a punchline, every gag an arcane meta reference for the nerds who can’t get enough of that sort of thing. Served some spaghetti with mushrooms, Mario winces and says he hates mushrooms. Because in the game he’s always eating mushrooms, you see. Sound like fun yet?”
Polygon
“There’s a perfect Mario game for nearly every kind of person — which gives the little plumber and his endless incarnations the sort of magical appeal that every modern movie franchise is desperate for,” Joshua Rivera writes. “Illumination’s animated adventure The Super Mario Bros. Movie attempts to bottle that appeal, but mostly just ends up referencing it. ... The Super Mario Bros. Movie feels like it’s made to be screenshotted more than watched. Nearly every frame is packed with a dizzying number of Easter eggs and references to Mario games and other Nintendo franchises.
“Cataloging them all might be the most enjoyable way to watch the movie, because when it comes to regular movie things like plot and character, well, all that gets blue-shelled to hell. (If you got that reference, you’ll probably like this movie more than the average viewer.)”
Screen Rant
“Black’s performance is truly what makes Bowser sing, ensuring every scene featuring the villain is one of the movie’s highlights. Beyond Black, Day is also pitch perfect as Luigi and Rogen is extremely fun as Donkey Kong. Taylor-Joy and Key are good, if unmemorable as Peach and Toad,” Molly Freeman writes.
“Pratt, whose casting as Mario was met with skepticism, doesn’t make a strong case for why he was a good choice to voice such an iconic character. He’s simply fine — not so bad as to be distracting, but not strong enough to be at all interesting either, which is about the same as The Super Mario Bros. Movie as a whole.”
Variety
“It’s going to be a huge, huge hit, but not just because of its beloved gamer pedigree. (That didn’t help “Super Mario Bros.” in 1993)” Owen Gleiberman writes.
“It’s because the movie, as directed by Aaron Horvath and Michael Jelenic (from a script by Matthew Fogel), is a serious blast, with a spark of enchantment — that je ne sais quoi fusion of speed and trickery, magic and sophistication, and sheer play that … well, you feel it when you see it.”
Washington Post
“The artistry is enough to keep children and adults watching. It may help that Mario gains power by eating mushrooms — a good message about healthy eating, on the one hand, yet one with an obvious psychedelic resonance at the same time,” Pat Padua writes.
“At its 8-bit heart, “The Super Mario Bros. Movie” is ultimately about family. (You know, the people you spend time with when you’re not playing video games.)”
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